 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

oy. respect, and "innaesni" love
em their once-happy marriage.
should Jock at me like l existed
aui of yoursell . .

Identity

ects the facultyrage members of, the
to be especially attuned and sensitive to
tupicality and painiul historical repre-
which is directed in particular focus
wileralion.

directs several preparatory suggestions
hu plan to view the play. First, in addi-
ging that the play be read before see-
rformance, Meyer strongly adVlses that
be seen more than once ior added com-
" and satisfaction. Second, Meyer
the audience to be “careful to keep in
t the play is taking place in Quentln’s
at the ﬂashbacks are not necessarily
but may be the distortions which hank
ct memory."

Meyer recommends that the audience
t can, just sit back and Slmply let the
pen,” not attempting to “put all the
gether" at. the possible expense oi atteir
the continuing stream of consolousness
'ht being delivered, but rather waiting
play is over “for intellectuallzing.”

uuld hope," Meyer added, “that the
will receive the play as a portrayal of
xpresslng his inner thoughts, expressing
deeply bothering him, not simply as a
ht. putting together an intricate jigsaw

lemenlary activities being planned in
than [or the play include a me arts lec~
led "Private GuiltePublic Conscience,"
en by Meyer this Sunday at 3:00 p.m.; a
our discussion of the themes and values
play, entitled “The Idiot Child Theme,”
d by Joseph wall (history), Charles
(English), and Howard Bul'kle (philnso-
Tuesday, Fehr 21, at 4 pm; and a re-
or the east or the play to be held Friday
10:30 pm. All of the above event: will be
th- South Lounge at the Forum

 

"roux MOTHER'S DEAD and
gone. clear. she ean'l hurt you any
more . . Quenlin painfully seeks
ra comfort and reassure Maggie
tollowing ane of her iraqusnt pill.
and alcohol-induced hallucinations.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"THESE GODDAMNED WOMEN have iniured me. Havel
learned nothing?“ cries Quentin in a confused anguish ai guilr
and pain. as Louise [Libby Pannwltil. Felice (Margie Apple.
bee). and Maggie arise in his memory and conscience.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

animal: RICHARD MEYER ruggam an altitude cf
sanitasnt nggrusivenesl to Art Knowlex (rrl, who is
about to attempt .n my pickup u h. sneauniarr

 

 

 

 

 

 

 

 

 

 

 

Maggie (Debbi. Abbott] in {he park. Observing
Meyer'r inrlruclien is Max Helfgoll, another predator
with obvious duignl on Maggiein this menu.

